Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Wednesday, 15 April 2015

Onward to adventure!

We're currently about two thirds of the way through a project on the ancient Romans* so it seemed like a good time to pay a visit to Vindolanda**.

Vindolanda, for those who don't know, is a Roman fort along Hadrian's wall.
As well as the archaeological site and ongoing dig, there are two museums: one at the site, and the Roman Army Museum nearby.
 The Vindolanda Charitable Trust's website recommends visiting the Roman Army Museum first, then going on to the fort itself afterwards so, not having visited either before, that is what we did.

Before we went I had stocked up on worksheets, downloaded and printed off from the education section of the trust's website***, in addition to which we were handed the museum's own treasure hunt to complete, so we were sure of having plenty to do.
 
First stop was the School room, which is set up for school trips, with seats for a classroom, a video "lesson" from a dummy teacher and various interesting facts and fables set out around the walls.
 I was pleasantly surprised to find this room open to the public, as the website seemed to imply that it was intended for use by school groups only.
The presentation was, in fact, clearly geared towards school groups, with references to the "class" and "your teacher", but this in no way reduced the enjoyment the girls found in it.
 Once the dummy teacher had finished expounding, we searched the walls for the answers to our many worksheets, took special note of the bust of Pliny the elder who "died when he breathed in Mount Vesuvius, Mummy", ignored my exposition on the subject of Seneca, and were off to the next gallery.

The next room contained two more films as well as with various models of roman soldiers alongside appropriate artefacts.
 The films were reasonably entertaining, but were a lot to sit or stand still for, after the long car journey to the wall.
Unfortunately the answer to one of the questions on Eleanor's worksheet was only available in the less interesting of said films.
 After missing the information twice, due to bad timing, we decided to return later to find that answer****.
 So, on to the next room to dress up as legionaries, listen to a recording (no film!) about the life of Emperor Hadrian and discover, to Eleanor's horror, that Hadrian had never been to Sardinia.
Uniforms returned to their place we next took our seats for yet another film: this one a three dimensional offering on the life of a Roman soldier on the wall.
It was a very good film, in point of fact, and kept everyone's attention nicely, but by the time it was over we all seemed rather sick of watching things we could have downloaded on YouTube.
 So, on to the next room.
There was a film playing in this room too, but I have no idea what it was about as we all ignored it.
Instead we wandered through various army artefacts and other displays, on equipment, weaponry, Roman food, and the number of people actually on the wall (as opposed to off sick) at any given time; translated the password of the day from Latin to English, and tracked down the last answers for our worksheets.
 By which time everyone was getting hungry and we were more than ready to hand in the treasure-hunt and round up some lunch.

After lunch we hied us to Vindolanda itself

The site was awesome, in the proper sense of the word, and it was incredible just to walk around it, looking at the various ruined buildings, trying to figure out what they were, reading the descriptions of what historians think they were, and squelchily discovering that the ancient spring still ran just fine.
 We rambled about for a while, filling in the second lot of worksheets, before happening upon the active dig.
We watched politely for a while, quietly discussing the archaeology and guessing at what various finds might be, until one of the archaeologists came up and offered to show us some of the day's finds.
 She explained the various pieces she had set aside: some unrelated pieces of pots, a cow's tooth and a game piece, then invited us to ask questions.
Alas, under Eleanor's inquisition she was forced to admit that they had yet to find a mosaic, butshe was able to tell us that the building they were working on was a shrine and tomb*****, unless it wasn't, as they wouldn't really know until they finished excavating, if ever.
 Despite the lack of extraordinary finds the girls seemed as thrilled as we were to look over the dig and appeared to happily accept my statement that archaeologist was "the coolest and least glamourous job ever".

And then they rampaged on.
 We discovered replica shops with recorded dialogue, a replica nymphaeum (Eleanor's favourite thing of the day) a tea-shop rather better than the one we had lunch in, another museum (this time with more artefacts****** but less films) and, finally, replica buildings of fortifications from the wall itself.
 Having scaled these (from the inside, thank gods), our now decidedly weary family headed back to the car park and set off for home.

It was surprisingly hard to leave.

Should we go up again I suspect we'll make a few changes to our itinerary, such as visiting the fort first, leaving the museum till we're tired enough to want to sit down and watch things, instead of haring all over the place.
We might even find somewhere to stay for the night.
After all, we didn't even visit Housesteads, this time round.






*Which has involved all manner of fun that I may go into later.
Or I may just post the photographs of the Roman feast with which we plan on ending this project.

**We would have liked to go to Pompeii and Herculaneum, since the tentative plan for this year is Romans, followed by Archaeology, followed by volcanoes, but Vindolanda is rather cheaper and therefore actually achievable.

*** There are sheets for both the museum and the fort, these are labelled for particular age-groups, but it's worth reading them through before you print them off as all children have different strengths and weaknesses.
 In the girls' case Eleanor was perfectly happy with the sheets labelled as being for nine to eleven year olds, while Phoebe worked through the sheets for seven to eight year olds with a lot of help from her daddy.

****We did, we still missed it and settled for talking to her on the subject instead.

***** Everything at Vindolanda seems to be a something and tomb: we saw a temple and tombs, shop and tombs, house and child's grave and a mausoleum.
Given the apparent local propensity for just shoving people in the nearest temple or burying them under the tiles, we assumed that either the mausoleum belonged to someone terribly impressive, or the residents of Vindolanda were curiously morbid.


****** Including roman horse armour, which was Eleanor's favourite thing on those occasions that the nymphaeum wasn't.

Sunday, 20 January 2013

Reading Eggs: a review with ridiculous emotive bits.

Eleanor loves books.
 She is not so good with computers.

 Naturally enough we want to encourage her affection while preventing a descent into complete luddism, so we thought we'd try Reading Eggs.
Reading Eggs is an online learning tool*, using games and computer based activities to develop reading ability.
It is colourful and friendly and, best of all, it offered us** a free trial, so we could see if it was any good before we handed over our money.

So, we made an account, bought a shiny new tablet***, and off she went.

To begin with I was not terribly impressed.
Before a child can start using Reading Eggs they have to complete a test: there are an awful lot of levels, or "maps", to choose from and the system needs to know where to start you off.
So they run a little test, with some easy questions and some harder ones, to get an idea of each child's ability.
 Unfortunately, some uncreative genius decided to greet every right answer with a happy "Ping!" noise and a big green tick, and each wrong answer with an obnoxious "Uhuhhhh!"***** and a big red cross.
 Which would be fine for adults playing a game, but is not so great for children.
At least, not for Eleanor, who really cares about getting things wrong.
To make matters worse, while the ticks disappear from the screen, the crosses remain at the top, dropping into a row of boxes that make it clear, to any bright child who can count at least a little, that there is some kind of three-strikes-and-you're-out  system working here.
 I don't know how well this has been received by other children: perhaps they greeted the ticks with squeals of triumph, while the crosses merely spurred them to try harder next time.
For Eleanor, however, this was not the case.
 She did not care at all about the ticks, she considers ticks, if anything, to be her due.
The crosses were another matter.
The first time a cross appeared with its blaring klaxon she looked up in shock.
I explained that this meant that she had got something wrong, and encouraged her to try again.
 She returned to the test, but was now visibly wary and nervous, eyeing it as one might a pet cobra that probably won't bite.
One right answer, another right answer, then a trickier question appeared: she paused, went to enter her answer, then stopped.
What if she got a cross?
What if the computer shouted at her again?
She pulled back from the screen and screwed up her eyes.
 Carefully I explained that if she wanted to use Reading Eggs she had to finish the test first.
So she poked a finger quickly at the screen.
Big red cross.
Klaxon.
 Little girl hiding behind her legs refusing to look at the screen.
After some more coaxing she looked out enough to finish the test, but she was no longer paying attention to the instructions.
Her whole purpose, now, was to make the test go away as quickly as possible.
 Several random jabs and a klaxon or so later, the test was finished.

Finally she could play.
 Unfortunately, having panicked her way through most of the test, she had given no real indication of her actual abilities and was now expected to complete a number of activities designed to teach her that O says "O".
 Her expression much akin to Sara Crewe on being informed that "La Mere" means "The Mother"****** she pushed the tablet away again.

At this point I wondered if we should just abandon the whole thing but, after a little discussion, Eleanor agreed to try the test again.

This time we went through very slowly, taking care to listen to the questions properly before selecting an answer.
She was still very twitchy and nervous, but she made it through, and this time the activities presented were much closer to her actual ability.

Hurrah! On to the games.

The first game was a whack-a-mole style affair in which she had to explode space-invaders with a particular word written on their ships, while letting others through.
 All of which sounds like fun, and would have been, were it not for two problems.
The first was that, as it transpires, Reading Eggs is not really designed for tablet use and at times a perfectly valid poke at the screen would go unregistered, allowing a space invader to get through.
 The second reason is that whatever berk******* added a klaxon to the test had clearly been at work here too.
 Every time a Space Invader got through, a dolorous voice, sounding much like the unholy offspring of a Cyberman and a Dalek, intoned "Oh No: One Got Away".
 This, not surprisingly, further unnerved the still unsettled Ellie, till she again refused to touch the screen, resulting in whole fleets of escaped space invaders, along with a litany of cross-species metallic woe.
 Alas, Reading Eggs demands that you complete each activity before moving on to the next, so, if she wanted to play at all, she had to defeat the space invaders.
  No longer entirely sure that she did want to play Eleanor nevertheless consented to try one more time.
We turned off the sound, I read out the word to be sought, located and destroyed, she hunted down words and, when the enemy refused to explode, called in the mothership to jab the things to digital death.
 We defeated the evil invaders and finally moved on.

Fortunately, once this strangely terrifying experience was behind her, Ellie did have fun.
 The system is still occasionally unresponsive, so that she sometimes needs me to help out, or even to complete a game for her, using the mouse-equipped laptop, but the games are fun and, if unchecked, she would happily play for an hour or more.
 There are still weak points: the voices and sound effects are horribly grating, and from a purely adult point of view the characters********* and stories are thoroughly irritating, but the games are engaging, the progression, though prescriptive, is steady and comfortable, and Eleanor seems to build ability and, most of all, confidence, every time she plays.

She finished the trial about a week ago and has been pestering us to pay up ever since.
In fact, with her new found computer-awareness, she has located the pay-button on the screen and told me what to do next.
 This is a good thing, right?

So, if you're wondering whether to try Reading Eggs, I'd say go ahead.
But, if your child is as lily-livered as Eleanor the erstwhile Terror of the High Seas, I'd suggest that before taking the test, you tape a piece of paper over the top of your screen to cover up the Xs, stick on a set of headphones so they can't hear the klaxon, and ask the questions yourself.



 There is another system, called Mathletics, made by the same company and dealing, unsurprisingly enough, with maths.
We've been wondering whether to try this, too, but alas, they haven't offered us a free trial.
 And if they read this, I fear, they never will.





*Am I the only one who envisions some kind of complicated, sprockety device for adjusting brains here?

**Not us specifically: they just happened to advertise where I could see them.
One day this blog may be the kind of internet phenomenon that can influence the decisions of multitudes, so that all manner of corporations queue up to offer us their goods and services, in the hope of a kind word, or a hint to our adoring fans, but that day has not yet come.
 Thank goodness.

***This is a slight exaggeration.
Ok a huge exaggeration.
 We**** wanted a tablet computer so that Eleanor could use various computery things that are more awkward with a mouse.
We did not, however, think it was worth buying one for a four year old.
Then I changed to a mobile phone tariff that offered a free tablet, or, to put it another way, a tablet  installment plan that came with a free phone and internet service.
 The whole Reading Eggs thing kind of followed on from there really.

****Ok, ok, I wanted it for educational purposes: Richard was just hypnotised by the lure of new tech.
Too bad for him that it's mine, really.

*****This sound doesn't really transcribe well: imagine a wrong-answer sound-effect from an eighties games show, but played right up by your face, and you should have some idea of the grating, distracting, unsettling quality of the noise in question.

******Look! Literary references!
If children's classics count as literature.

*******"Feed Me!"

*********Seriously: I may be a vegetarian, hippy peacenik, but if Sid the Kid ever turns up on our doorstep he's going to be curried.
No, not like a horse.

Monday, 17 September 2012

Brave

We went to see Brave a while ago.
 Since then Eleanor has been obsessed with archery, bears, horses, and will o' the wisps.
Her pictures have mostly been of Merida, the heroine of the film, and most of the words she has wanted to write have been similarly brave inspired.
 We have had to stop her from tangling her hair to make it "all loopy"* as it became impossible to get a brush through it.
She has played at being Merida every day, casting me in the -highly confusing- role of Queen Eleanor, and calling on Phoebe to represent an entire set of triplets.

She has a new Brave sticker album** which she fills with great care and delicacy, and a bow and arrows set which she fires without them.
In short, she loves it.

We were pretty happy with it too.
The story was fairly predictable, and I wouldn't like to hear a Scottish person's opinion of the setting,*** but the scenery was beautiful, the plot well executed, the characters, though fairly one-dimensional,**** were nicely rendered, with Merida's hair being a triumph of the pixelated art, and the regal Queen Eleanor possessing sufficient flaws of body and mind to prevent her from appearing merely a noble cipher**** while being handled sympathetically enough to avoid her becoming a strait-laced straw-woman.
Also the archery was very impressive.

Most impressive of all, however, were the gender politics.
I don't mean just having a girl as the hero: most Disney films have a heroine after all.
I don't even mean the way that that girl turns her nose up at courtly matters in favour of jumping off rocks and shooting things: while it was nice to see a film eschewing the standard girl-in-pretty-dress-meets-boy-and-eventually-reaches-the-zenith-of-her-ambitions-by-marrying-him Disney plot, with everything that implies to its audience, this has been done before.
 What was impressive was the way they presented this.
Firstly: no-one is surprised by Merida's capabilities.
Queen Eleanor may disapprove of her preferences***** but there is no suggestion that girl should not enjoy, or be talented in, what are normally presented as masculine pursuits.
Although other characters are clearly impressed by her prowess with a bow, their reaction is very much that of the people of Sherwood on seeing Robin Hood in action: they gasp not because she is a girl but because she is just that good.
Actually that's not the only resemblance to Robin Hood in that scene.
And they may have been gasping for another reason too, but if I tell you about that it might give things away a little.
 Secondly and much more significantly: nobody is diminished by Merida's capability.

There is a tendency, in books or films where the girl is the hero, or at least in those where she takes a traditionally male role, to build her up by running everyone else down.
The girls rescue the boys while the boys either stumble around incompetently, or wait swooningly to be rescued displaying a decided lack of interest in saving themselves.
Kings and fathers in such tales tend to be rather bumbling and retiring, while Queens and mothers, while similarly ineffectual, are much more forthright and decisive.
The effect is generally somewhat pantomimic: it is as though a group of traditional fairytale characters had merely swapped clothes, the girls putting on trousers and tucking their ringlets up under knights' helms, while the boys pin on long flowing wigs and conceal their manly stride beneath long skirts.
 An obvious exception to this rule, and one in the Disney canon, is the story of Mulan, however as she really is a girl in boy's trousers, whose ability to be "one of the men" is treated as a rare and heroic attribute, this is not, in the end, a very positive example either.
 In Brave, however, Merida is strong, capable and independent, and not only does no-one suggest that she is unusual in this respect but no-one else is lessened to make her look better.
Her father, while not politically minded, is practical, capable and strong, her mother is intelligent and eloquent, the various male secondary characters are all people in their own right, in no need of rescue, and perfectly able to look after themselves if it came down to it.
 It is, in short, a story about a person with heroic abilities and equally heroic flaws, overcoming adversity to ultimately triumph.
It is, in short, a story.
That the heroine is female is entirely beside the point.

Eleanor, of course, isn't aware of any of this: she doesn't hear the film telling her that she's just as good as the boys because no-one has told her that she isn't.
So she doesn't notice the message that she can do anything a boy can do, she doesn't see the significance of a female heroine.
She just sees a story, a role-model, a game to play.
And that, to me, is the most significant thing of all.



*Nothing can be done about her mind.

** Sneaky maths strikes again!
Actually it's interesting to see how far she's come since the last sticker album, I suspect that by the end of this one she'll have gained as much benefit from the number-identification and so forth as she can.
Which lets me out of getting her another I suppose.

***Actually I would.

****In fact the loud, easy-going King Fergus seemed a far more stereotypical figure but this is somewhat forgivable as he is given less space for character development.

*****There wouldn't be much plot if she didn't.





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